"The Pickup (2025) – Full Movie Story, Plot Explained & Honest Review"

"Aankhon Ki Gustaakhiyan (2025) Movie Plot and Review  – Beginning, Twist and Climax Detailed Explanation"

⏹ Movie Details – Aankhon Ki Gustaakhiyan (2025)

Director:    Santosh Singh

Producer:     Mansi Bagla, Varun Bagla

Screenwriter:     Santosh Singh, Mansi Bagla, Niranjan Iyengar

Distributor:     ZEE Studios International

Production Co:    Mini Films

Genre:    Romance, Drama

Original Language:   Hindi

Release Date:   Jul 11, 2025, Limited

Runtime:   2h 20m

 

⏹ Full Plot of Aankhon Ki Gustaakhiyan (2025) best movie:

Jahaan is a young man who loves music. He plays the piano and writes songs. He cannot see with his eyes, but he sees the world with his ears his hands, and his heart. He listens to the rain the wind in the trees and the bell of a bicycle and he turns those sounds into soft pretty tunes. Saba is a young woman who loves acting. She is a theatre artist. She reads lines she practices voice and she dreams of being on a big stage. One day, Jahaan and Saba are traveling by train. They sit near each other and the train makes a chuk chuk, chuk chuk sound. Jahaan smiles because he likes the rhythm. Saba smiles too because she likes how happy he looks just by listening. They start to talk. They don’t talk like strangers they talk like old friends meeting again. They tell little stories. Jahaan says I make songs from sounds.Saba says I make scenes from words. The train goes through a tunnel and everything becomes dark. But for Jahaan it is always dark so he is calm. He tells Saba how he knows a hill is near because the air turns cooler. He shows her how to listen to raindrops and count them like notes in music. Saba listens and her eyes shine because no one ever taught her to listen like that. By the time the train stops both feel light and warm inside. They do not say I love you. They just say take care and see you. But their hearts know that something special has started like the first line of a song that wants to become a full melody.

After the train trip life keeps moving. Jahaan goes back to his music world. He plays in a small café and records demo tracks. He also teaches children how to enjoy sound like clapping games and humming games. Saba goes back to her theatre group. She is brave on stage but quiet in life. She practices how to speak each word clearly how to stand how to smile and how to cry in a scene without really being sad. One day Saba’s theatre group needs live music for a rehearsal. A friend says I know a musician who can make simple moments feel magical. That musician is Jahaan. When Saba enters the rehearsal hall and hears Jahaan’s gentle piano she knows it is him the friendly boy from the train. They both laugh. It’s you Now they see each other many times. They take slow walks. They drink hot tea. They share favorite stories. Jahaan plays a tune Saba closes her eyes and imagines a scene. She says This tune feels like morning. The sun is soft. A bird is sitting on a window. He says Yes, and the bird flaps its wings two times listen. Then he taps the keys twice tip tip. They create small pieces together tiny plays with tiny songs. Their friendship becomes a strong bridge: on one side is music on the other is theatre and in the middle are two people holding hands. They learn to trust. They also learn to be honest. When Jahaan worries Saba says, Breathe. When Saba doubts, Jahaan says, Listen. In this way the little meeting from the train grows into a big, bright friendship.

Soon, chances come. A small stage invites Saba’s group for a show. A studio asks Jahaan for a sample track for a short film. But the world outside can be noisy and unfair. Some people say mean things. Some believe silly ideas and old superstitions. They say How can a person who cannot see make great music? Or How can a soft spoken girl lead a big play? These words hurt like tiny thorns. One man even tells Saba Use tricks to impress the crowd. Wear loud colors. Be flashy. But Saba wants truth not tricks. Jahaan faces other problems. A sound engineer tells him We will fix everything later on computers just play fast. But Jahaan loves real sound breath pause, and the quiet between notes. He says Music also needs space. He is calm but inside he feels a small storm. Then Saba remembers what Jahaan once said on the train When it is dark I listen more carefully. She uses that idea in her acting. She closes her eyes before practice feels the floor under her feet, hears the chairs hears even the curtains moving. She becomes more present more true. Jahaan remembers what Saba once said Be brave. He sends his music to the studio just as he believes in it gentle and honest. Some people clap some people don’t but both of them grow taller inside. They are learning that love and art need courage. Like candles in a windy place they cup their hands around the flame and keep it alive.

There is a secret Saba carries quietly. She does not talk about it because she is afraid people will treat her like a problem not a person. One evening after rehearsal the lights suddenly go out in the theatre hall. The room is dark. Everyone shouts Where is the torch? People bump into chairs. In that big hush Saba does not panic. She stands very still and listens just like Jahaan taught her. Her steps are careful and sure. Jahaan notices and whispers Saba you are not afraid of the dark. Saba takes a slow breath. She tells him the truth she has hidden for long Jahaan I also cannot see like other people. For a second there is a deep silence like the pause before a beautiful note. Then Jahaan smiles softly. He does not pity her. He does not say oh no. He says Thank you for trusting me. Saba’s eyes fill with tears not sad tears but light free tears. She says, I kept it quiet because many people think we cannot dream big. Jahaan says Let’s dream bigger. This is the twist of their story both are visually impaired both strong both talented, both gentle. The secret does not break them it joins them. Now their art changes. When they plan a scene they do it with sound breath touch, and timing. When they plan a song they imagine the steps actors will take. They do not try to copy people who see. They build their own way like two explorers drawing a new map together. The oh moment becomes a wow path.

A festival invites Saba’s theatre group to perform an original show. Saba says Let us make a piece about listening about how hearts can see. She asks Jahaan to compose the live score and he says yes. Some folks still doubt. A few whisper strange fearful things mixing superstition with unkindness. Will the audience accept it? What if you stumble? What if silence feels empty? Jahaan and Saba do not fight with angry words. They answer with careful work. They rehearse every beat. They count steps. They mark the stage with textures they can feel underfoot. Jahaan records small sound cues so actors know when to move a soft chime means walk a gentle drum means turn a long hum means hold. Saba designs moments where the audience also closes their eyes for a few seconds and just listens. On the festival night the hall is full. The lights go low. Jahaan plays a tiny melody plink plink like raindrops on a window. Saba speaks the first line. Her voice is steady warm, brave. The play shows two people who learn to trust sound more than sight truth more than show love more than fear. Sometimes the hall is quiet like a sleeping garden. Sometimes it is bright with laughter. There is a place where everything goes silent for five whole seconds. In those five seconds the audience hears their own breathing. They understand the theme without a lecture Real seeing happens with the heart. When the final note lands, there is a small pause the good kind like the moment after a wish. Then the crowd stands up and claps and claps. Some people cry. Not because the show is sad but because it is honest and kind.

After the festival, life is still life. There are bills to pay buses to catch and everyday tasks to do. But Jahaan and Saba now walk with lighter feet. The studio calls Jahaan and says We heard your gentle track. We want the full score in your own style. The theatre invites Saba to lead workshops for young actors teaching them how to use voice breath, and listening. Together, they plan a small school for art where children learn that every sense is a gift. They also remember the day on the train when a simple talk began it all. So they take one more train trip just for joy. The wheels go chuk chuk chuk chuk again. They sit side by side. They do not need to pretend. They do not need to hide. Jahaan holds Saba’s hand and says Thank you for showing me new scenes. Saba squeezes his hand and says Thank you for giving me new songs. The last picture of the story is not a big wedding or a loud party. It is two people listening to the world together the bell of a bicycle the call of a hawker the faraway whistle of a train. Their love is quiet and strong. The lesson is simple enough for a child you don’t need perfect eyes to truly see you need a kind heart a brave spirit, and someone who believes in you. That is why the film feels like a warm blanket on a rainy day. It tells us to trust real feelings over noisy fear to choose gentle truth over flashy tricks and to remember that even in the dark music and love can light the way.

 ⏹ Aankhon Ki Gustaakhiyan (2025) Movie Review:

Aankhon Ki Gustaakhiyan is a soft, musical romance about two young people who connect more with sound and feeling than with sight. The film directed by Santosh Singh stars Vikrant Massey as a blind musician and marks the acting debut of Shanaya Kapoor as a theatre artist. It is adapted from a short story and set between hill station moments and small city life, giving the movie a quiet cozy look and feel. If you want a short clear idea this is not loud commercial cinema it is a slow building character first story that asks you to listen closely. The film’s pace leans on music, small gestures and conversations rather than big plot fireworks. If you prefer calm films that breathe and take time to show how two people grow close through ordinary acts this will likely appeal to you. For details like the director lead actors and release info see the official listings.

Vikrant Massey carries the film with quiet steady work. He does not shout his feelings he keeps them folded inside and lets small actions a pause a listening smile, the way he touches piano keys tell the story. That restraint suits the role of a musician who experiences the world mostly through sound. Shanaya Kapoor in her debut shows promise. She is brave in simple scenes and her chemistry with Massey is one of the film’s best assets. Their friendship to romance arc grows in believable steps meeting by chance sharing stories testing trust and finally opening up about fears. Some reviews praised Shanaya’s screen presence and called her a fitting debutante while others felt she still has room to deepen her craft. Overall the two leads make you care about their small moments together even when the script does not always help them.

The movie’s sound design and songs are central the score and the songs often become the voice that the characters use to speak when words fall short. The music helps build mood and gives many scenes their warmth. Visually, the film leans on misty hill station frames and close, textured shots that try to translate listening into seeing you can almost feel the damp air and hear distant bells. The director’s choice to keep scenes small and intimate works for long stretches the story gains much of its charm from these quiet decisions. Locations like Mussoorie and the careful cinematography add to the film’s gentle tone and the crew’s effort to make sound the lead character pays off in parts. If you like films where music and mood do the heavy lifting you will find this element satisfying.

Despite good intentions the film is not always steady. The screenplay sometimes leans on familiar beats and sight related metaphors that feel predictable after a while. Pacing becomes an issue a few scenes stretch so long that the emotion thins instead of thickening and the second half leans toward melodrama in places where subtlety would have been stronger. Critics pointed out that the premise is tender but the execution can be uneven charming in patches but at times too safe or literal with its ideas. If you want tight plotting or surprising twists this is not the film for you. Still, many viewers will forgive these faults because of the honest performances and the film’s gentle heart others may leave wishing the movie had taken bolder creative.

In the end Aankhon Ki Gustaakhiyan is a warm low volume romance that will please viewers who enjoy tender acting musical storytelling and slow burn emotional arcs. It rarely shocks but often soothes. Watch it if you like character led films soft music and stories about trust and listening. Skip it if you expect fast plot twists or hard hitting drama. My honest rating a sincere well meaning movie with strong moments in acting and sound but held back by predictability and uneven pacing.