Oh, Hi! (2025) Movie Review & Full Story Explained – Comedy, Drama and Emotions
⏹ Movie Details – Oh, Hi! (2025)
Director: Sophie Brooks
Producer: David Brooks, Dan Clifton, Julie Waters, Sophie
Brooks, Molly Gordon, Julia Waters.
Screenwriter: Sophie Brooks
Distributor: Sony Pictures Classics
Production Co: Cliffbrook Films,
Watermark Media, QWGmire
Rating: R (Language|Sexual Content/Some Nudity)
Genre: Romance, Comedy
Original Language: English
Release Date: Jul 25, 2025, Limited
Runtime: 1h 34m
⏹ Full Plot of Oh, Hi! (2025) best bollywood movie 2025:
Oh,
Hi is a funny but a little dark love story about two people, Iris and Isaac. They are a new couple. They feel happy and
excited, like when you get a new toy and you think it’s perfect. To enjoy time
together, they go on a quiet weekend trip to a nice house away from the city.
The movie keeps a light, playful mood, but it also shows how people can get
confused about love very fast. Iris believes this new relationship is special
and serious. Isaac likes Iris too, but he is not sure he wants something
serious right now. So, from the start, both like each other, yet they want
different things. The film is a rom com
with a twist, made by writer director Sophie Brooks, and stars Molly Gordon (Iris) and Logan Lerman (Isaac). It premiered at Sundance 2025 and later released in
theaters, and that’s why people call it a fresh 2025 dating comedy with a
slightly cheeky bite.
At the cozy vacation house, Iris and Isaac play a
private trust game.In that playful mood, Isaac
gets handcuffed to the bed (think of it as a pretend game where one
person can’t move and must trust the other). After the fun, the mood changes.
While still stuck, Isaac says he doesn’t
want a serious relationship. This hits Iris like a sudden rainstorm.
She feels shocked because she thought they were on the same page. In that upset
moment, Iris refuses to unlock him.
Now the silly game turns into a not so fun situation. Isaac is scared and
angry; Iris is hurt and stubborn. The movie keeps the tone comic odd, not mean,
but we can feel the tension: two people who like each other are suddenly in a big mismatch of feelings. The story
shows this in simple ways small talks, awkward silences, and the strange sight
of Isaac still stuck while they argue about love.
Hours pass. Iris tries to win Isaac’s heart with sweet talk, food, and promises.
But Isaac keeps saying, Im not ready.Iris, feeling lost, calls her best friend Max, who arrives
with her boyfriend Kenny. At
first, they act like helpers; soon they realize, Um this is basically a kidnapping if he can’t leave. Everyone
panics. In their panic, Iris and Max
think up a wild plan a pretend memory
erasing potion (just silly ingredients) and a funny weird little ritual to make Isaac forget the bad talk
and remember only the good feelings. It’s more like kids playing witches than
real magic, but the movie uses it to make us laugh and also to show how
desperate people act when love scares them. The humor is dark but gentle no one
wants to truly harm Isaac they just want the awkward mess to disappear. This
part of the film mixes friend group
comedy with the uncomfortable truth that love can push nice people
into not so nice decisions.
Next morning, Isaac
wakes up and acts like the potion worked smiling, chatting, and
seeming light again. Iris and the friends feel relieved. But here comes the twist Isaac didn’t forget anything. He only pretends, waiting for a safe moment. He says he’ll grab
something from the car and drives away.
The movie keeps it tense yet grounded no action hero chase, just a real person
trying to escape an embarrassing, scary weekend. It’s raining Isaac’s
car crashes. The police find the wrecked car but not
Isaac. Now Iris is truly worried. The tone changes from pushy love to
please let him be safe. She goes out to search
for him, calling his name, looking in the wet valleys and trees. This
is where the film shows the cost of poor choices everybody is frightened, nobody
feels powerful, and a joke plan has become a dangerous night.
Iris finally finds Isaac injured down a slope. He can’t walk well. She
helps him, and for the first time they have a calm, honest talk. No tricks, no pretend magic, no
handcuffs just two people telling the truth. Iris admits she was afraid to lose something she loved.
Isaac admits he liked her but feared making a big promise too quickly.
They both see how mixed signals
and rushed feelings turned a fun
trip into a scary mess. An ambulance
takes Isaac away. The movie chooses a bittersweet
path instead of a fairy tale happily ever after, it offers a grown up lesson sometimes a short love
can still be real and meaningful, even if it doesn’t last. The film even nods to classic movie
romance (think Casablanca) love can be important without ending in
together forever. That’s the gentle punchline of Oh, Hi sweet, sad, and honest.
If we explain the ending in very simple words Love needs consent, comfort, and clear talk.
Iris wanted a big promise Isaac wanted more time. Both are not bad, but their communication broke. The cuffs, the fake
potion, and the run away crash are symbols of how quickly small doubts can grow into big trouble when people don’t listen
with care. By rescuing Isaac and talking openly, Iris returns to kindness, and
Isaac sees her heart (not just her panic). They part with understanding. So the
message is you can care for
someone, make a special memory, and still say goodbye. This is why the film
feels rom com + reality check.
It smiles at modern dating’s silly parts (group chats, goofy fixes, pretend
magic) and also warns us if you’re scared, don’t control communicate. In short, the ending tells us
to choose honesty over tricks, safety over stubbornness, and respect over rush. That’s what makes Oh,
Hi feel new in 2025it is funny, a little naughty in idea, but finally kind and thoughtful about how love
should work
⏹ Oh, Hi! (2025) Movie Review:
There’s
a reason Oh, Hi! (2025) keeps
getting called a rom com with teeth. The setup is light and sweet two new
lovers, Iris and Isaac, head out of town for their first
weekend together. The jokes are bubbly, the mood is cozy, and the movie invites
you to relax. Then it leans into a bold idea: during a flirty game, Isaac ends
up handcuffed to the bed afterward he admits he’s not ready for a serious
relationship, and Iris hurt and panicked refuses to let him go. That’s the
spark. From here, the film becomes a funny but uncomfortable look at how mixed
signals, fear, and stubbornness can twist a brand new romance into something
messy. Writer director Sophie Brooks
keeps the camera close to faces and feelings, so even the silliest moments have
real sting. The film premiered at Sundance
2025 and later opened in U.S. theaters on July 25, 2025 via Sony
Pictures Classics, which suits its indie spirit compact locations,
talky tension, and a tone that dares to swing between cute and chaotic. In
simple words it starts like date night comedy and turns into a sharp lesson
about love, consent, and communication without losing its playful heart.
What makes the movie work is the cast chemistry. Molly Gordon plays Iris as a person who loves big and
worries bigger. She’s goofy, charming, and sometimes cringey often in the same
minute and that mix feels human. Logan
Lerman gives Isaac a soft, careful energy he’s kind, a little
confused, and suddenly trapped by a conversation that went the wrong way. When
they clash, it’s not hero vs. villain it’s two people with different hopes for the same
relationship. In the second act, friends Max
(Geraldine Viswanathan) and Kenny
(John Reynolds) tumble into the story, and the comedy widens. Their help only
multiplies the awkwardness, but it also keeps the mood bright enough that you
never switch off. A few quick side turns like David Cross as a nosy neighbor add spark without
stealing focus. The acting is simple and honest you can read the guilt on Iris’s face when a
joke goes too far, and you can hear the fear in Isaac’s voice when sweetness
turns to stress. Even the intimate scenes are handled with a wink: they’re
meant to be playful, not grim, and the actors bring a light touch that stops
the film from feeling mean. If you’re here for a human written feeling nervous laughs, teary smiles,
small apologies this ensemble delivers.
On the craft side, Brooks’s writing has a clear
plan set up a romantic bubble, pop it with one honest sentence, and watch what
falls out. The movie uses small, clever devices the memory erasing potion gag, a late night ritual, and a morning after
surprise to show how badly we want quick fixes in love. It’s silly on purpose,
but it also says something true when you’re scared of losing someone, you may
try control instead of communication. The score by Steven Price hums under the
dialogue and keeps the tension elastic never too heavy, never too soft. The
camera stays inside rooms and hallways like a stage play, so every look
matters. And yes, there’s an ending twist
that lands more bittersweet than fairy tale it nods at Casablanca
to say, a short love can still be real. The final stretch shows that Isaac is
not clueless he’s careful and sometimes crafty, and Iris is not evil she’s
overwhelmed and learning. That nuance is the movie’s secret sauce. If you want
a simple tag for search this is a dark
romantic comedy, small scale, with a relationship ending explained that favors truth over
tidy fantasy. Some viewers may find the tone jumpy cute one minute, tense the
next but the jumps are the point feelings are jumpy too.
If you like romance that laughs at itself, talks frankly about consent, and still makes room for hope, this is for you. It’s not a slick, everything works out fairy tale it’s a small story about a big mistake and the honest talk that follows. The best parts are the performances (Gordon and Lerman click in warm, off beat ways), the smart little gags that expose messy dating myths, and an ending that chooses care over control. The weaker parts are the occasional tonal wobble and a few decisions that feel far fetched but even then, the movie stays lively and watchable. For blog readers scanning quick takeaways Pros fresh premise, sharp acting, memorable bits (handcuffs, potion, rain-storm search), bittersweet final note. Cons uneven tone, some implausible beats. Should you watch? Yes, if you enjoy indie rom coms, Sundance style humor, and conversation starter endings. It’s a tidy 95 minute watch that gives you laughs, winces, and a little wisdom: don’t force love talk, listen, and let it be real.